Overview
A sound goes in, an organism comes out: OR-70 rebuilds the source in spectral, rhythmic and harmonic layers.
Layer processor
A creative layer processor: a sound goes in, an organism comes out — spectral, rhythmic and harmonic layers driven by one macro.
Layer processor
A creative layer processor: a sound goes in, an organism comes out — spectral, rhythmic and harmonic layers driven by one macro.
A sound goes in, an organism comes out: OR-70 rebuilds the source in spectral, rhythmic and harmonic layers.
One macro: 0 is the source, 1 is the organism. MORPH drives density, blur, feedback and shimmer together.
A spectral ghost layer, grain density from smooth to granular, a half-speed replay locked to the bar and saturation with tone.
Tempo-synced echoes, semitone shifts with shimmer, chorus and flange — then FREEZE holds the moment while you play over it.
Comet Sound
A creative layer processor: a sound goes in, an organism comes out — spectral, rhythmic and harmonic layers driven by one macro.
A sound goes in, an organism comes out: OR-70 rebuilds the source in spectral, rhythmic and harmonic layers.
One macro: 0 is the source, 1 is the organism. MORPH drives density, blur, feedback and shimmer together.
A spectral ghost layer, grain density from smooth to granular, a half-speed replay locked to the bar and saturation with tone.
Tempo-synced echoes, semitone shifts with shimmer, chorus and flange — then FREEZE holds the moment while you play over it.
Free layer processor plugin
OR-70 is a creative layer processor. Feed it a pad, a voice or a loop and it rebuilds the source in spectral, rhythmic and harmonic layers — a ghost of the sound, a cloud of grains, echoes locked to the tempo, a shifted shimmer — then lets you blend them back in.
All of it moves with one gesture. MORPH goes from 0, the source, to 1, the organism, driving density, blur, feedback and shimmer together: automate it and a static part becomes a build-up, a transition or a whole new texture.
GHOST, GRAIN, HALF and DRIVE on one side, CHORUS, FLANGE, ORBIT and SHIFT on the other. The shape at the centre reacts to every move, pulling toward a different solid for each module.
FREEZE holds the material of the effect until you release it, HOLD only while you keep it pressed. Catch the right instant of a pad or a vocal and play over it.
MUTATE generates a new variation of the inner movement, A/B compares two states and BYPASS fades out smoothly. Forty-eight factory presets — texture, wide, dark, rhythm, dream, glitch, cinema, vocal — get you started.
OR-70 installs in seconds and behaves itself: a signed installer on Windows, a signed and Apple-notarised package on macOS, VST3 and Audio Unit where your host expects them. No account to keep open while you work, no phoning home in the middle of a session.
OR-70 is free: no licence key, no trial, no time limit. Install it and keep it. If it opens a new door in your sessions, the six plugins of Orbit Suite are built on the same idea — one job each, done in a way you can read.
Yes. On macOS OR-70 installs as VST3 and Audio Unit, on Windows as VST3, so it loads in Ableton Live, Logic Pro, FL Studio, Cubase, Studio One, Reaper and any other host.
Yes. OR-70 is free to download and use, with no licence key and no expiry.
With the INIT presets: INIT SOURCE is almost dry, INIT ORGANISM is balanced and INIT FULL is a full transformation. Then move only MORPH and listen to the source turn into the organism.
No. OR-70 is a separate free plugin, outside Orbit Suite: you do not need a bundle or a plan to use it.
Comet Sound